Figure 15.9. The Channels dialog
The Channels dialog is the main interface to edit, modify and manage your channels. Channels have a double usage. This is why the dialog is divided into two parts: the first part for color channels and the second part for selection masks.
Plot the channel profile using the X/Y coordinates that you have plotted on the drawing. Set origin X: 0mm 1. X: 90 Y: 1660 2. X: 180 Y: 1660 3. X: 180 Y: 1960 4. X: 2440 Y: 1960 5. X: 2440 Y: 1610 6. X: 2570 Y: 1610 7. X: 2620 Y: 0 To store this profile, start the logger and retrieve the logged file. Choose your favorite chanel drawings from millions of available designs. All chanel drawings ship within 48 hours and include a 30-day money-back guarantee.
Color channels apply to the image and not to a specific layer. Basically, three primary colors are necessary to render all the wide range of natural colors. As other digital software, GIMP uses Red, Green, and Blue as primary colors. The first and primary channels display the Red, Green, and Blue values of each pixel in your image. Next to the channel name is a thumbnail displaying a grayscale representation of each channel, where white is 100% and black is 0% of the primary color. Alternatively, if your image is not a colored but a Grayscale image, there is only one primary channel called Gray. For an Indexed image with a fixed number of known colors there is also only one primary channel called Indexed. Then there is a optional channel called Alpha. This channel displays transparency values of each pixel in your image (See Alpha Channel in Glossary). In front of this channel is a thumbnail displaying a grayscale representation of the transparency where white is opaque and visible, and black is transparent and invisible. If you create your image without transparency then the Alpha channel is not present, but you can add it from the Layers dialog menu. Also, if you have more than one layer in your image, GIMP automatically creates an Alpha channel.
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GIMP doesn't support CMYK or YUV color models. |
Figure 15.10. Representation of an image with channels
The right image is decomposed in three color channels (red, green, and blue) and the Alpha channel for transparency. On the right image the transparency is displayed as a gray checkerboard. In the color channel white is always white because all the colors are present and black is black. The red hat is visible in the red channel but quite invisible in the other channels. This is the same for plain green and blue which are visible only in their own channels and invisible in others.
The “Channels” dialog is a dockable dialog; see Section 2.3, “Dialogs and Docking” for help on manipulating it.
You can access it:
from an image menu: Windows → Dockable Dialogs → Channels;
from the Tab menu in any dockable dialog by clicking on and selecting Add Tab → Channels.
In the Windows menu, there is a list of detached windows which exists only if at least one dialog remains open. In this case, you can raise the “Channels” dialog from the image-menu: Windows → Channels.
The top channels are the color channels and the optional Alpha channel. They are always organized in the same order and they cannot be erased. Selection masks are described below and displayed as a list in the dialog. Every channel appears in the list with its attributes, including a thumbnail and its name. A right-click in a channel list entry opens the channel context menu.
Every channel is shown in the list with its own attributes, which are very similar to the layer attributes:
By default every channel and thus every color value is visible. This is indicated by an “open eye” icon. Clicking on the eye-symbol (or the space if the channel is not visible) will toggle the visibility of the channel.
The channels representing selection masks (the new channels in the lower part of the channel list) may be grouped using the button with the “chain” symbol. Then these channels are all affected in the same way by operations applied to any one of them.
Primary color channels (the default channels in the upper part of the channel list) may be grouped too. By default, all color channels (and the alpha channel) are selected, their list entries are highlighted. Operations will be performed on all channels. By clicking on a channel list entry you can deactivate this channel. Operations like colorizing a layer will then be applied to the selected (“grouped”) channels only. Clicking again on the list entry will activate the channel.
A small preview-icon represents the effect of the channel. On a selection mask, this preview can be enlarged by holding click down on it.
The name of the channel, which must be unique within the image. Double-clicking on the name of a selection mask channel will allow you to edit it. The names of the primary channels (Red, Green, Blue, Alpha) can not be changed.
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Activated channels appear highlighted (generally) in blue in the dialog. If you click on a channel in the list you toggle activation of the corresponding channel. Disabling a color channel red, blue, or green has severe consequences. For instance if you disable the blue channel, all pixels from now on added to the image will not have blue component, and so a white pixel will have the yellow complementary color. |
Under the channel list is a set of buttons allowing you to perform some basic operations on channel list.
Only available for selection masks. Here you can change the Channel name. The other two parameters affect channel visibility in the image window; they control Opacity and color used for the mask in the image window. A click on the color button displays the GIMP color selector and then you can change the mask color.
You can create here a new channel. The displayed dialog lets you set Opacity and mask color used in the image to represent the selection. (If you use the button in Channel Menu, you can create this new channel with the options previously used by pressing the Shift key when clicking). This new channel is a channel mask (a selection mask) applied over the image. See Selection Mask
Only available for selection masks: you can here put the channel up a level in the list. Press Shift key to move channel to top of the list.
You can here put the channel down a level in the list. Press the Shift key to move the channel to bottom of the list.
You can create here a copy of the active channel. Name of new channel is suffixed with a number.
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You can also duplicate a color channel or the Alpha channel. It's an easy way to keep a copy of them and to use them later as a selection in an image. |
Here you can transform the channel to become a selection. By default the selection derived from a channel replaces any previous active selection. It's possible to change this by clicking on control keys.
Shift: the selection derived from a channel is added to the previous active selection. The final selection is merged from both.
Ctrl: the final selection is the subtraction of selection derived from a channel from the previously active one.
Shift+Ctrl: the final selection is the intersection of selection derived from a channel with the previously active one. Only common parts are kept.
Only available for selection masks: you can here delete the active channel.
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Figure 15.11. Channel Context Menu
You can get the channel context menu by right clicking on a channel thumbnail. This menu gives the same operations on channels as those available from dialog buttons. The only difference concerns transformation to selection operations, each of them having its own entry in the menu.
See Managing channels.
Selection derived from channel replaces any previous active selection.
Selection derived from channel is added to previous active selection. Final selection is merging of both.
Final selection is subtraction of selection derived from a channel from previous active selection.
Final selection is intersection of selection derived from a channel with the previous active selection. Only common parts are kept.
Figure 15.12. A selection composed out of channels.
Channels can be used to save and restore your selections. In the channel dialog you can see a thumbnail representing the selection. Selection Masks are a graphical way to build selections into a gray level channel where white pixels are selected and black pixels are not selected. Therefore gray pixels are partially selected. You can think of them as feathering the selection, a smooth transition between selected and not selected. This is important to avoid the ugly pixelization effect when you fill the selection or when you erase its content after isolating a subject from background.
There are several ways to initialize a selection mask.
From the image window menu Select → Save to Channel if there is an active selection.
In the image window the bottom-left button creates a Quick Mask; the content will be initialized with the active selection.
From the channel dialog, when you click on the New channel button or from the context menu. When created, this Selection mask appears in the Channel dialog, named “Selection maskcopy” with a queuing number. You can change this by using the context menu that you get by right-clicking on the channel.
Once the channel is initialized, selected (highlighted in blue), visible (eye-icon in the dialog), and displayed as you want (color and opacity attributes), you can start to work with all the paint tools. The colors used are important. If you paint with some color other than white, grey, or black, the color Value (luminosity) will be used to define a gray (medium, light, or dark). When your mask is painted, you can transform it to a selection by clicking on the button (Channel to Selection) or from the context menu.
You can work in selection masks not only with the paint tool but also with other tools. For instance, you can use the selection tools to fill areas uniformly with gradients or patterns. By adding many selection masks in your list you can easily compose very complex selections. One can say that a selection mask is to a selection as a layer is to an image.
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| Caution |
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As long as a selection mask is activated you are working in the mask and not in the image. To work in the image you have to deactivate all selection masks. Don't forget also to stop displaying masks in the image by removing the eye icon. Check also that all RGB and Alpha channels are activated and displayed in the image. |
Figure 15.13. Dialog Quick Mask
A Quick Mask is a Selection Mask intended to be used temporarily to paint a selection. Temporarily means that, unlike a normal selection mask, it will be deleted from the channel list after its transformation to selection. The selection tools sometimes show their limits when they have to be used for doing complex drawing selection, as progressive. In this case, using the QuickMask is a good idea which can give very good results.
The QuickMask can be activated in different ways:
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From the image menu: Select → Toggle QuickMask.
By clicking the left-bottom button showed in red on the screenshot.
By using the Shift+Q shortcut.
To initialize a Quick Mask, click the bottom-left button in the image window. If a selection was active in your image, then its content appears unchanged while the border is covered with a translucent red color. If no selection was active then all the image is covered with a translucent red color. Another click on the bottom-left button will deactivate the quick mask.
From the channel dialog you can double click on the name or the thumbnail to edit the QMask attributes. Then you can change the Opacity and its filling color. At every moment you can hide the mask by clicking on the eye icon in front of the QMask.
The mask is coded in gray tones, so you must use white or gray to decrease the area limited by the mask and black to increase it. The area painted in light or dark gray will be transition areas for the selection like feathering. When your mask is ready, click again on the bottom-left button in the image window and the quick mask will be removed from the channel list and converted to a selection.
Quick mask's purpose is to paint a selection and its transitions with the paint tools without worrying about managing selection masks. It's a good way to isolate a subject in a picture because once the selection is made you only have to remove its content (or inverse if the subject is in the selection).
Description
Screenshot of the image window with activated QuickMask. As long as the Quickmask is activated, all operations are done on it. A gradient from black (left) to white (right) has been applied to the mask.
The QuickMask is now disabled. The selection occupies the right half part of the image (marching ants) because the limit of the selection is at the middle of the gradient.
A stroke is now added during the enabled selection. Weird! The gradient, although not visible, remains active all over the image, in selected and non selected areas!
After the QuickMask Button is pressed, the command generates a temporary 8-bit (0-255) channel, on which the progressive selection work is stored. If a selection is already present the mask is initialized with the content of the selection. Once QuickMask has been activated, the image is covered by a red semi-transparent veil. This one represents the non-selected pixels. Any paint tool can be used to create the selection on the QuickMask. They should use only grayscale color, conforming the channel properties, white enabling to define the future selected place. The selection will be displayed as soon as the QuickMask will be toggled but its temporary channel will not be available anymore.
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To save in a channel the selection done with the Quickmask select in the image menu Select/Save to Channel |
Open an image or begin a new document.
Activate the Quickmask using the left-bottom button in the image window. If a selection is present the mask is initialized with the content of the selection.
Choose a drawing tool and use it with grayscale colors on the QuickMask.
Deactivate the Quickmask using the left-bottom button in the image window.